As a track-based DAW (Digital Audio Workstation, i.e. a MIDI and audio recorder/editor) guy, my first look at Ableton Live elicited from me a rather long-winded “huh?” It was familiar-looking, but at the same time not. However, befuddlement soon gave way to stark admiration for the program’s interface and abilities.
I wrote the above paragraph five years ago. But while I admired Ableton, I kept going back to the DAWs with workflows I was familiar with such as Studio One, Cubase, Sonar, and even Mulab, even though they all irritated me in one way or another. I could just never get over the hump of Ableton’s unfamiliarity. A real shame, because now that I’m fully on board, for the first time in my recording life I’m free of DAW-envy. While I have a few nits with Ableton, I’m no longer tempted by others. At least for the creative stage.